I was discussing the use
of pressure points recently with someone, and they began the “You
can't use them in a confrontation” (argument?). When confronted
with this (supposed) “point”, I'm a little bit perplexed.
First off, the
individual (obviously) doesn't know or understand how
the points are used, and second, I really don't feel
like having to explain it to them.
There are so many
misconceptions about pressure points out there, that the
subject is becoming more of a (teaching) liability than a
curriculum asset.
I think most of it comes
from the (general) public's need to be “Wowed”. If it
(whatever “it” is) isn't in your face, and
impressive (enough), then the public (opinion) either
doesn't notice, or doesn't care.
When Taika was still
doing “open” seminars (that allowed anyone to attend), I
would have to endure listening to some of the most stupid
comments/questions that were being made to him (it was no wonder
he quit doing those seminars, LOL). Though he made his
manner of performing neck-strikes popular, he also sullied the
subject, by allowing attendee's to focus on that single
application of what he was attempting to illustrate.
If you've ever endured
one of the sales pitch's for
the (numerous) gimmick
“pressure point” salesmen, then you'd be inclined to believe
that these “pressure points”
are the answer to any
of your own (inability
to actually work on
your chosen art) requirements and/or deficiency's.
Pressure
points, are no more,
or any less, than any
other asset in one's
collection of applications to utilize (should the situation call for
it). As one becomes more familiar with them and their locations (as
well as understanding how
and when they are most
practically applied),
they do tend to be
utilized with greater frequency.
What
people don't (want to?) understand, is that they are rarely used as a
“solo” application. They are most often utilized within a common
technique's application (punch, kick, grab etc.). Unless one was
(already) aware of the
locations significance,
it would never be related to even being
considered to be a “pressure point” application.
The
majority of the yahoo's
that are promoting (“their”) pressure point applications, are
only pummeling their
(victims) student's on the neck. This is in NO WAY
a demonstration of skill
or knowledge (much
less ability).
The
neck is a very
vulnerable area (to any
impact). Regardless of how
one chooses to strike
it, your likely to witness some
manner of results
(that occur from any
impact upon it). They most likely won't be what your expecting
(like the eye's rolling-back, and the subject going unconscious),
but you will produce
some level of an
arguably usable
result.
As
with most subjects, this one has different uses depending on the
knowledge level of the implementer. To achieve a (simplistic)
“reaction”, is easy.
To achieve the exact
reaction (that you want
and/or need)
requires far more
skill/knowledge (than what you'll achieve through these charlatan's).
I
think the greatest disappointment
(for the student's of these joker's)
is the fact that what they're shown
to do, won't work the
way they wanted it to.
The facts are, that
there is no
short-cuts, and/or
easy way to learn
these technique's (and
that's all that they
are, technique's).
As
long as the student can avoid the TCM nonsense,
and approach the technique's as a (yet another)
physical application,
they are not that difficult
to incorporate into one's repertoire.
We
usually have student's begin with gaining an understanding of the
limbs ROM (Range Of Motion), as they become more familiar with those,
we begin adding (related) locations that can be utilized (in various
manners) that will affect the various limb's ROM.
In
addition to the ROM knowledge, a student must understand a limb's
interrelationship with
rest of the body. Any
action perpetrated upon any
location upon the body, will produce correlating effects elsewhere
(upon the subject's body).
This
is why/how we confirm the proper application of a tuite
technique (performed on an uke's wrist).
If/when we can see the proper knee reaction,
we know the technique has been properly
applied (if there is no knee-reaction,
the technique was not
being properly
applied).
This
interrelationship is not based upon some magical voodoo
nonsense that depends on the time of day
to establish applicability. It's based upon physiological facts
(having more to do with balance than
with any manner of “Chinese
elemental”
theory/crap). This interrelationship is demonstrated to student's
through a simplistic
exercise that we call,
the fist pressure
demonstration.
The
student will assume a stance, although irrelevant
which one, it's easier
to illustrate the principle if/when the student assumes a stance
where both legs are
tensed (like a horse
stance). The student then extends a fist to their front (as if
performing a punch), while tensing
the muscles in their entire
body (remember, this is only
being done for testing/illustration purposes, not
to evaluate someone's punching manner/technique).
While
the student's fist is extended, the other person will apply pressure
(usually with only the fingertips) against the (either/any) side of
the student's extended fist/arm. In addition to the (obvious)
pressure applied against the hand/arm, the student should
(additionally) note the muscular reaction being created (because of
the applied pressure) to other
locations upon the entire body.
This
is most obvious within the leg muscles of the individual. As pressure
is varied (between top, bottom and either side), the corresponding
(muscular) reactions change
to match those (directional) differences. Though most easily detected
within the leg muscles, similar reactions occur throughout the entire
body. It's those
reactions, that the student will begin to correlate to locations for
their striking techniques.
This
(simplistic) illustration of the human body's (limb's) anatomical
interrelationship, is only another one
of the learning model's that are provided for a student's
understanding of the taught principles. Regardless if the student is
using “pressure points” (or not), understanding that nothing
on or within the human body operates independently,
without the interaction of (usually several)
other aspects of the individual's anatomy is essential to learning
how to control,
manipulate and/or
debilitate an
aggressor.
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