Oyata's
methodology (regardless of the time-period
for that instruction) has always emphasized (entire) "body"
motion/use during the application of the instructed motions. That
instruction varied/changed over the course of his (years of)
instruction.
Force
Efficiency is the term that we use in our instruction of the
(physical) application of the instructed motions utilized within the
Oyata Te system. Oyata did not utilize this term, it is the phrase
that we coined to define the manner that he (Oyata) utilized those
motions. The term is used to define the efficient use of the physical
actions that are taught to our students. Our use of the word “Force”
should not be confused with Forceful
or to imply “strength” (within the use of those applications).
The
average student is initially inclined to believe that having a
greater amount of (physical) “strength” will assure that students
use of the instructed motions. Of the (multiple) factors that
determine the effectiveness of an application's use, the amount of
applied “power/force” is considered to be the least
important (the correct “placement” of that application being
significantly more important).
When
one is determining what factors are the most readily (if not universally) available,
physical strength
is one of, if not the lowest/least important on that list. If/when a
technique is dependent
upon that “one” factor (I.E. “power”), it is (then) only
applicable by a limited number of individual's (male or female). That
use is additionally dependent upon it being greater than the
opponent's ability to resist/absorb that application.
The
student's knowledge of an opponent's natural "weak spots"
(not necessarily "Pressure Points") is necessary for the
use of those applications. That awareness/knowledge is taught through
the instruction of the student's use of
their own body (within the instructed motions).
Force
Efficiency is the initially instructed "awareness" of those
strengths (and vulnerability's). Though (initially) taught as an
efficient means of technique delivery/use (by the student), it
additionally exemplify's an opponent's vulnerabilities. If/when
involved in a physical conflict with an opponent who is
larger/stronger, the student must have the ability/knowledge that
allows them to circumvent those advantages. This awareness is
exemplified in every aspect of the instructed positions/motions.
When
people (generally) speak of Oyata's technique application, they
(commonly) will refer (if not “obsess”) to his use of a
“neck-strike/knockout”. This technique (though being very
impressive) was often difficult (if not impractical)
to utilize in a (more "common") altercation. If that
technique were as "effective/practical" (as people
generally imply)
why didn't Oyata spend more
(if not the majority) of his classes devoted to his student's
perfecting it? (obviously) Because it wasn't
(either “easy” nor practical).
Depending on the circumstances, it more often resulted in a “stun”
(or temporary imbalance)
of an opponent (thus becoming a glorified
“atemi” strike, which was what Oyata considered it to be).
Our
use of the term "Force Efficiency" is used to exemplify the
student's most efficient use of their body and appendage motion in
the application/use of the instructed positions, motions and
techniques (whether defensively or offensively). That instruction
begins with the student learning/understanding what motions are
natural
and what motions are not. That includes the subliminal
motions that occur in response to expected and/or unexpected actions
(performed by the student or Uke during an altercation). The
student's awareness of those responses allows them (those responses)
to be utilized within the student's application of (the instructed)
technique.
When
one examines what constitutes “natural” motion, it commonly
consists of forward
motion (by the bodies limbs).
Those motions that are “circular” (or rearward)
are not considered to be as “threatening” (as those that are
delivered directly
forward). (in general) circular
motions require “room” to develop momentum.
It is also difficult to (efficiently) include the user's body-weight
with those types of strikes.
Oyata
Te demonstrated the positioning of the student's hip's and shoulders
during those application movements. In general, the hip's and the
shoulder's remain (consistently) "square" (to one another)
during any motion/movement. When that alignment is altered, the
student will be (and "feel") off-balance.
I have recently seen (several) “examples” of individual's
performing (their own)
versions of Oyata's method for performing the Kata (the versions that
he taught). What's commonly exampled, is a quickly
performed example, that includes (numerous) incorrectly
“added” motions (as well as motions that were removed
by him, I.E. Oyata, as well). Oyata did
include additional motions, but they were intended to be (very)
subtle (and barely recognized/noticed).
One
of the most obvious (of Oyata's changes),
was the elimination
of (any) "shoulder-wag" (during the performance of the
kata). The reasons for doing so are multiple, but its inclusion
is an obvious indication of not having been part of his later (I.E.
the last 10-15 years of his life's) instruction. The examples I've
seen may have been (at one time) "valid", but they should
be (more accurately) considered as being "basic" (and
certainly not "advanced", as those posters have claimed).
Oyata's
later years of instruction focused on the student's use/positioning
of their body (whether during technique or kata) motion. He felt that
this was of higher/greater importance than (individual) “technique”
use or variance. Those motions held greater importance than the
learning of different or additional technique motions. Once those
motions were understood by the student, techniques would become more
obvious
(via the kata motion) to the student.
I've
received numerous inquiries as to why I don't post "video's"
of new/different technique applications. If my readers refer to our
Oyata Te (member's) page, my associate has included (numerous) videos that
example (much) of what I have addressed here (technique
motion/application, etc.). Frankly, "feeding" the
internet's need
for video examples is not my goal (here).
Those
that (actually) are
interested in what/how we teach Oyata's methodology should attend our
classes to get a more descriptive (and physical) “exampling” for
what/how we teach his methodology. Our Classes are (very) relaxed and
we are very
open to explaining the “how” and “why” of Taika's teachings
(as well as those teachings that he didn't agree with).
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