I
believe the biggest reason for the practice of "kata" (in
general), is to train the student to move. What I typically see, is
student's Obsessing over the (their) accumulation of (hand/arm)
"technique's". When observing student's (whether my own or
other's) what I will typically see, is the student "standing in
place" and attempting to perform those actions. The practice
of/for kata motion requires that the student move into various
positions (while performing the motions replicated in those kata).
Motion is performed to either deliver or receive "momentum"
(whether being delivered by the student, or by their opponent). It
must be understood that momentum, should not be (or become) an
attribute that is (solely) generated and delivered by an individual
"Limb" (I.E. the "arm") alone. Every performed
action should include the (entire) "body's" motion. When a
"Rotation" is seen in the performance of a kata, the
student should research the reason's behind that rotation's inclusion
(in the kata). Those "reason's" are (often) explained as
being done in regards to multiple assailant's (sigh,..). Believing so
is "fine" (I suppose), but I am inclined to believe that
there are more practical reasons for those motions inclusion (in
regards to "1 on 1" confrontations). The Rotation (of one's
body) is done in order to redirect or emphasize one's ability to
apply momentum to a particular action/application. Beginning
student's (regularly) attempt to only utilize their "arm"
(muscles) to perform a particular application. For those student's
who possess greater levels of (physical) "strength", that
may be believed to be a viable choice. For the rest of us, it's an impractical
choice (or belief). Though an individual may be able to generate 80+
lbs. of delivered momentum/energy (using their arm), I can deliver
185+ lbs. of momentum/energy using my entire body (and with far less
effort on my part). This can only be achieved through the inclusion of
"footwork", and thereby including one's body motion with those
actions. Beginning students are inclined to view "footwork",
as being (only) a means by which one is able to reposition their
"arm's" (to perform whatever motion is required). Numerous
systems (attempt) to emphasize that a "rotation" creates
(only) the manner of/for a required motion. Rotation generates "2"
directions of momentum (both with and against a particular
direction). During that movement (a rotation) moves 1/2 of one's body
weight one direction, and the other 1/2 in the opposite direction. There is no "circular" energy/momentum being
created by this action. "Baseball" pitcher's do not "spin"
around in a circle prior to throwing the ball. Their pitching arm
only travels in a forward direction. The commonly performed
"practice" of causing one's "hip's" to motion
"forward and back" (the infamous "Shimmy") while
performing a strike, adds NOTHING to a delivered (arm) strike/motion.
The motions performed during kata should demonstrate any/all required
motion (during the delivery/execution of a defensive motion).
Student's are often inclined to include (their own)
separate/additional motions. These should not be required, (or even
necessary) if the intended action is being performed correctly.
Oyata's training (in regards to techniques) from his (two)
instructor's was initiated through the instruction of the "Bo".
The motions contained within that practice demonstrated (numerous)
concepts and movements that were later demonstrated for use with
defensive responses to attempted assaults. His initial practice of
the Bo was demonstrated to illustrate numerous unarmed defensive
actions. The concept was that all instructed motions were related.
"Motion" was the key to that commonality, both defensively
and in regards to the application of the instructed technique's.
Unless (or until) a student can recognize (and incorporate) those
commonalities, their defensive training will suffer from a severe
"disconnect".
This “Blog” will discuss various techniques (from my own “point of view”), training methodologies, and applications used and taught by myself in the art of “Te”. It will often focus upon the instructed art of “Tuite”, as taught to me by Taika Seiyu Oyata.
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Saturday, January 19, 2019
"Move"
Labels:
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