When student's are initially shown
kata, their emphasis is on memorizing the shown motions. They (often)
attempt to interpret those motions as (all) representing various
strikes and technique's. “If” that were their
(only) purpose, it would prove to be a very impractical
way to convey that information. The majority of practitioner's
recognize that the kata do not represent an (actual)
confrontation (representing numerous opponent's who are
attempting equally impractical methods of assault). Knowing
that the kata don't represent this, (apparently) doesn't stop
people from coming up with numerous (equally) impractical
defensive motions/techniques based upon those motions.
Oyata taught students to recognize and
understand how an aggressor (actually) would “attack” the
student. It never included “spinning around” and taking 3 steps
(while performing numerous “hand” motions). It never included
“bowing” to an aggressor (prior to one's defense), nor “freeze
framing” (holding some posture) during a confrontation.
Kata, were intended to review/practice
the taught motions (when a training partner wasn't available), and to
provide reflection on how those motions could be implemented
during a confrontation. They taught (the student) how footwork
should be utilized (when involved in a confrontation). More often the
motions represented unique situations for those motions.
Common and obvious use of those motions and technique's, should be
(equally) obvious (thus not
additionally required
to be done in a “training exercise”, such as a kata).
When
Oyata began his instruction (from Wakinaguri and Uhugushugu), much of
that instruction involved watching
(other) people. Watching how they walked, how they moved, and what
motions they did during their everyday actions. Until it was
understood what constituted “natural”, it was difficult to
recognize what was unnatural.
Though seeming irrelevant (as
unnatural motion is
often obvious),
natural motion is
often disregarded. The
recognition of natural motion, allows one to make the instructed
motions as natural as possible (thereby making them
as unrecognizable as
possible). By making those motions as natural as possible, they will
(additionally) be as efficient,
and as “hidden” (thus more difficult to defend against) as is
practical.
Kata,
when done correctly, should be performed as relaxed and
as quickly as the
student can perform them (without sacrificing any
“correctness” of the motions). The exampling of “power” is an
irrelevant aspect.
“Power” (only) represents an individual's physical capabilities.
It only provides an advantage (defensively) if/when one's defense is
based upon one's
ability to “out-muscle” an opponent. That doesn't mean that power
has no use, only that
one's defenses can't
be based upon it (as many systems attempt
to make it).
The
practice of kata is approached in stages.
That doesn't mean “basic”, “intermediate” and “advanced”
(which I've argued against in other blog posts), and is a “Marketing”
tool/habit (and serves no
“training” purpose). Kata should initially be approached by
learning the correct
motions (not “basic”, the correct
and complete motions).
That commonly means slowly, piece-by-piece. When the motions are being performed correctly and without (conscious) thought, the student should increase the speed of that practice. It is at this stage that students perform the most mistakes (in replicating those motions), thus causing it to be the slowest (in progression) stage of kata training/practice. (Only) following that stage, should the student attempt an increase of any (applied) “power” with the kata motions. If/when the student “changes” (in any manner) how they are performing the kata motions, they are defeating the purpose of practicing the kata.
That commonly means slowly, piece-by-piece. When the motions are being performed correctly and without (conscious) thought, the student should increase the speed of that practice. It is at this stage that students perform the most mistakes (in replicating those motions), thus causing it to be the slowest (in progression) stage of kata training/practice. (Only) following that stage, should the student attempt an increase of any (applied) “power” with the kata motions. If/when the student “changes” (in any manner) how they are performing the kata motions, they are defeating the purpose of practicing the kata.
The
“addition” of any (extra) hip
motion, or twisting of
the shoulders, defeats the purpose of kata practice. Kata practice is
for confirmation of how
the student performs
the included motions, not for “adding” additional actions (that
serve no purpose except to telegraph
one's intentions). If you don't “shimmy” your hip's
(when you naturally walk), it will serves no purpose
to do so while performing a kata. If the practiced motions are not
“natural”, they will provide limited
(if any) effect in
(actual) technique application.
When one's (only)
“purpose” for the practice of kata, is to learn “new”
technique's, it only exemplifies the fact that the student doesn't
understand how their “known” technique's (as well as the kata
motions) should be utilized to begin with.
Any
shown/taught motion can be performed in varying manners (regardless
of which technique is in question). Each system has their own
level/degree of “correctness” for that performance. Those
differences are often what people base their arguments for/against
(any) taught methodology. For that reason I refrain from (most) direct
critiques of another systems
methodology of performance. I will
(directly) contest something that an individual
posts though. The majority of those examples are only applicable for
a few (limited) individual's. If/when a motion or technique can only
be performed by a limited number of individual's, that should
illustrate that the technique has only limited usefulness (for the
majority of students).
Technique's should
(all) be equally usable by every student (regardless of size/strength
of either the student or an aggressor). If/when this isn't the case, the
“technique” should be omitted from the training syllabus. This is
not to say that technique's won't require practice, only that an
instructor is (often) required to illustrate what a student may be
doing incorrectly (thus causing difficulty in the technique's
performance).
Kata will often
stress the practice of particular motions that “make no sense”
(to the untrained student). It is the instructor's responsibility to
clarify and define what (and how) those motions are utilized in
technique performance. This all comes from repeated practice, and (actual) study of the motions contained within the kata.